Misbaḥa / The Prayer Beads / مسبحة

Misbaḥa / The Prayer Beads / مسبحة is a visual exploration of identity and a reflection of experiences within a patriarchal environment in the SWANA region. The work examines the weight of societal expectations and the constraints imposed on Queer individuals. Through immersive sculpture, moving images, sound, and an interactive community-based stitching workshop with Safa El Samad, the project builds a layered experience. By using prayer beads as a symbol of concealing one’s true identity, Kaake highlights the pressures to conform to societal norms surrounding marriage, children, and the preservation of family names, posing the question: how far must a Queer person go to align with social, political, and cultural expectations in order to survive?

Exhibition Essay written by Celine Saoud for Memo Magazine.

'When I think of Misbaḥa, I think of Arab men. 

I think fondly of my older male relatives who fidget with them as they play cards or backgammon, aggressively shake them at the evening news reporter on TV for saying something they didn’t like, or twirl them behind their backs as they take the lead of the dabke at a wedding. They have become, at least to me, such an unwavering symbol of Arab masculinity that I’m willing to place a bet that every baba and 3amo keeps one tucked away in their pocket or bedside table, just in case. READ MORE

Installation view of Stones Will Remain Stones, 2025, mixed media installation, 230 x 285 x 100 cm, stones, Arabic Calligraphy, 2025.

Misbaḥa / The Prayer Beads / مسبحة is commissioned by Merri-bek Council as part of Artist Exhibition Program at Counihan Gallery, 2025.

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